Showing posts with label Life of Pi. Show all posts
Showing posts with label Life of Pi. Show all posts

Saturday, February 23, 2013

Oscar Meets God

Experts say that the United States is growing ever-more secular. Studies and polls back that up. About 18 percent of us claim no religious affiliation these days, up from 15 percent in 2009.

But those numbers don't tell the whole story. Many of those non-affiliated Americans (colloquially called "nones") believe in God. They pray, sometimes daily. Evidence of a stubborn sense of faith and religion is found everywhere in our society--including in our entertainment. And when I look at the films nominated for the Academy Awards Best Picture, I have to wonder: If we Americans are growing less spiritual, why are our films growing more?

Pi, from Life of Pi, might be forced to call himself a "none" if asked--only because there's no box to check for "all." He claims to be a Hindu-Christian-Muslim, seeing God everywhere. He is, I think, a more accurate reflection of where American faith is moving. And it makes sense--if not theologically, at least culturally. We Americans like to think of ourselves as having no boundaries, no restrictions. We've been taught from the cradle we can do anything we set our minds to. So why restrict ourselves to  one religion? Why follow one path when we can follow all?

As a pretty traditional Christian, I can think of lots of reasons why one path is better ... but that's not really the point here. Pi still manages to express, I think, both the beauty and power of spirituality--something most of us feel at times, regardless of  belief. We've been born with a desire to reach for God. God gave us that desire. And Pi conveys that desire better than perhaps any movie I've ever seen.

I think that Beasts of the Southern Wild is another manifestation of "none" spirituality. Its worldview is very much secular. The main characters consider themselves--even pride themselves--on being "beasts." They're survivors in a beast-eat-beast world, in marvelous union with each other and the world around them. There's no talk of God, no consideration of heaven. Heaven for them is in the rural backwoods "bathtub" that 6-year-old Hushpuppy and the adults around her call home.

And yet, the movie is still deeply spiritual--full of cosmic portent and divine energy. This is myth on a grand scale, full of morals and monsters and universal force. It suggests that even those who don't pay homage to God, any god, still feel that spiritual tug. Says Hushpuppy:

When it all goes quiet behind my eyes, I see everything that made me lying around in invisible pieces. When I look too hard, it goes away. And when it all goes quiet, I see they are right here. I see that I'm a little piece in a big, big universe. And that makes things right. When I die, the scientists of the future, they're gonna find it all. They gonna know, once there was a Hushpuppy, and she live with her daddy in the Bathtub. 

In almost every movie nominated for a best picture Oscar this year, God is somewhere in the picture. Sometimes you can feel His presence only at the edges. But sometimes He fills the screen. In Zero Dark Thirty, our hero, Maya, seems as hardened a secularist as there is. And yet she confesses that she feels as though she was "meant' to track down Osama bin Laden--a sacred calling from an unknown source. In Lincoln, our title character believes that slavery is our nation's greatest sin and he means to expunge it once and for all--even as others suggest that keeping other people in bondage is somehow God's will. In Django Unchained, there's an implicit understanding that slavery is evil--a true evil that transcends and supersedes cultural, societal purely human-based whims.

And then we have Les Miserables--an explicitly Christian parable from beginning to end. We see the conflict between the Pharisaical Inspector Javert and the grace-filled reality of Jean Valjean--along with perhaps revolutionary France's version of the "nones" in Mr. and Madame Thénardier. As Javert and Valjean joust over what's right or true, the Thénardiers are more concerned with what's in it for them--a worldview that while not at all attractive in Les Mis, has some unapologetic adherents today.

As a Christian movie reviewer, sometimes I hear readers talk about how "godless" Hollywood is. And it's true that the entertainment industry doesn't produce many films that cater to conservative evangelical Christians. But truth be told, Hollywood is far from godless. It seems to me that filmmakers are searching--and sometimes finding--God all the time.

Wednesday, November 21, 2012

The Life of Pi: Being Thankful, Even for Tigers


From the very beginning, The Life of Pi (which opened yesterday) promises to be a story about God. But God, in the ethos of this beautiful movie directed by Ang Lee, is difficult to pin down.  

Pi is an equal opportunity believer. He grew up in the Hindu faith, so he considers himself as a Hindu. He’s wowed by Christ and Christianity after encountering a kindly priest, and shortly thereafter asked his cynical father if he could be baptized. But he loves Islam, too—or, at least, the sound of Islam as its prayers fall from his lips as he bows toward Mecca. And throughout the film, we get a sense that God—for Pi at least—is found less in one religion than in all of them. Or perhaps none of them. And if we read the end of the movie as cynically as possible (no spoilers here) God is who we want or need Him to be.

I’m not such a cynic, but it’s clear that The Life of Pi features some spiritual themes that are simply non-starters for Christians. Pi tells us that Hindus believe in a pantheon of 33 million gods, so one more maybe isn’t that big of a deal. But we Christians are told pretty explicitly that there’s just one way to reach God, and that’s through Jesus. If we try any other path, we’re just kidding ourselves.

But while I don’t think The Life of Pi gets the theology quite right, the way faith feels here is, I think, pretty beautiful.

The core story’s simple: After his ship crashes, Pi finds himself on a lifeboat with a giant Bengal tiger named Richard Parker—not an ideal survival scenario. But survive he does for more than eight months (according to the book; I don’t think the movie’s so specific), fighting hunger and thirst and storms and Richard Parker’s fearsome teeth until his boat comes to rest on the coast of Mexico.

But here’s the thing: Pi’s improbable survival story is just the merest shell of the real tale here. To say that The Life of Pi is about surviving for eight months with a tiger is like saying the meaning of marriage can be conveyed through a wedding album, or the birth of a son could be fully communicated through a Facebook post.

Pi isn’t just floating toward Mexico: He’s on a spiritual odyssey. In Pi’s mind, it’s not just he and Richard Parker in the boat. God’s with them, too—in the wind, the water, the world around them.

Throughout the film, we see Pi show his gratitude toward God for everything he’s been given—even in this horrific situation. He thanks God for the fish that flop in the boat and for the bit of pencil that allows him to keep a diary. He even expresses his gratitude for Richard Parker (even though the tiger would be unlikely to return the favor). "My fear of him keeps me alert," Pi says. "Tending to his needs gives me purpose." Without Richard Parker, Pi believes he would’ve died long ago.

It’s a beautiful reminder for us (particularly as we head into Thanksgiving tomorrow) that we have much to be thankful for, even if we feel like we’re stuck in a lifeboat ourselves, tigers breathing down our necks.

But Pi’s God is no comforting deity-in-a-box, a talisman for tough times. As C.S. Lewis’ Mr. Beaver might say, he’s not a tame lion, anymore than Richard Parker’s a tame tiger. As Pi’s voyage goes on, everything that Pi depended on—the boat’s store of food, his water collection devices, even that stubby old pencil—are swept away, leaving Pi seemingly with nothing: Nothing but the boat, Richard Parker and God Himself.

There’s something troubling but deeply profound in this—the idea of Pi being stripped of everything. The movie doesn’t tell us explicitly that God is the cause. But I think in some ways, it makes sense.

See, if there is an antagonist in The Life of Pi, it’s not the tiger: It’s man—or rather, man’s pride that, in the end, he can save himself.

Pi’s father is a man of reason. He calls all religion “darkness” and rolls his eyes at his son’s sincere religiosity. And while reason and science have its place (Pi says later he would not have survived his ordeal without his father’s instructive grounding) it can’t save you. Not really.

It’s telling that all his father’s plans (and his ship) sink above the Marianas Trench—the deepest, darkest part of the world. Despite the fact that the freighter cruises with (as we hear) the quiet confidence of a continent, its technology and bulk cannot withstand the spiritual storm. It goes down and Pi’s small lifeboat—perhaps representing the faith that Pi’s father mocked—is the only thing that stays afloat.

But in that boat, Pi still has tools that are, metaphorically at least, of his father. The life vests. The instructional book full of survival advice. The foodstuffs and cannisters of water. All Pi needed for survival appears to come from the muscle and ingenuity of man. Perhaps, had Pi survived with the aid of all that stuff, there might’ve been some doubt as to who Pi owed his life to: the authors of his survival book? Or the Author of all?

And so, in this merciless, metaphorical world, Pi needed to have everything stripped away. He was Noah in the ark, Joseph in the well, Lazarus in his tomb. As Pi’s strength failed and even Richard Parker grew feeble, it was clear whose hands they were in, whose mercy they depended on. And, when Pi thought he was as good as dead, he once again gave thanks.

Pi survived, of course: It’s no spoiler to say so. And in the end, we all heave a sigh of relief, knowing that Pi made it through such a horrific ordeal.

And yet, maybe we feel a little envious, too. Or, at least, I do. Not that I ever want to be stuck in a boat with a Bengal tiger, mind you … but in the midst of Pi’s terrible trials, he was surrounded by God’s power, His beauty, His love.

Celtic Christians used to talk about the thin places—spots in their world where the membrane between heaven and earth was thinner, where God’s presence could be more easily felt. I think that, perhaps, most of us have felt a “thin place” in our walks—moments where we could feel the very presence of the Almighty, and it took our breath away. Perhaps it was in a moment of prayer or tumult. Maybe it took you by surprise. I’ve been surprised like that a time or two.

In my own Christian walk, I sometimes feel a bit like Pi’s father. Yes, I have faith—but sometimes it’s a reasonable faith, a measured faith, one that doesn’t make too many demands. I fit that faith snugly with the rest of my life, like a can of crackers on a lifeboat. My faith becomes a tool, one of many.

And then, in the heart of a storm or in the glow of the dawn, I’m overwhelmed. Awed. And I remember that faith isn’t found in a box or in a building or even in a boat. It is not a thing to be used by me. No, it uses me. It is power and light and meaning. It is—He is—everything. And in that moment I, like Pi, find myself resting, helpless and loved, in the cup of His hand.